
I craft metal, memory and meaning the same way people survive storms, with stubborn hands, honesty and whatever scraps are worth gathering, keeping and forging under pressure.
Some of it becomes objects. Some of it becomes essays. All of it comes from the same spine.
This is not a glossy creative journey filtered and sanitised to death by the fakery of social media nice. The work tackles big things. Loss, resistance, damage, the body. But this place isn’t meant to feel heavy. There’s enough serious in the world without adding a jewellery website to the pile.
If you’re into the raw, the unpolished, the too-much, the not-enough, or the strange little things that refuse to behave, you’ll get on with this place fine. Over time I will make and write about what grows out of the rot when you stop preening the polish.
The Projects So Far.





The Thinking Behind The Making.
🌍💬 ‘Ta, Love’: When Warmth Sounds Wrong
On British working-class language, tone policing, and what happens when ‘ta’ and ‘luv’ get mistaken for unprofessionalism. Warmth as class…
⛵💀 The Art of Looking Impressive While Going Nowhere (Since
What a seventeenth-century maritime cock-up reveals about mission statements, national branding, and the tyranny of the well-maintained surface….
🪙🎰 A Fortune in Coppers
The first thing is the noise. Coins on coins, a thousand 2ps shoved back and forth under glass, the whole…
🗣️⚖️ The Tyranny of the Tender
Found where a substantial amount of do-gooders bloom the loudest and the weakest minds in the room sets the rules….
💎👑 From common as muck to the Royal College of
Crowdfunding tuition for an accepted student bridging working-class roots and elite art education….
🍄💀 Sanctified Decay
This text is drawn from the Rotwhite Archive, expanded here as a written companion to Decay for Clout. The Rotwhite…
💀🍬 Deadweight
This text was written as a companion to The Sweetness of Damage. A condensed extract was submitted as part of…
🐰🧠 Third Person Memory Collapse
This text was written as a companion to Undulating Husk: Memory Vessels. A condensed extract of approximately 200 words was…


